Results for 'Berys Nigel Gaut'

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  1. Introduction.Garrett Cullity & Berys Gaut - 1997 - In Garrett Cullity & Berys Nigel Gaut (eds.), Ethics and practical reason. New York: Oxford University Press. pp. 1-27.
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  2. Garrett Cullity and Berys Gaut , Ethics and Practical Reason. [REVIEW]J. E. Mahon - 1999 - International Journal of Philosophical Studies 7 (1):119-120.
    In this book review I argue that, broadly speaking, there are three rival accounts of the relationship between having a normative reason to act and being motivated to act. Neo-Humeans argue that an agent has a normative reason to act if and only if so doing would satisfy some desire of the agent; consequently, their task is to show that there is an internal relation between an agent’s having a normative reason to act and an agent’s having a desire to (...)
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  3. Cinematic.Aaron Smuts - 2013 - Nordic Journal of Aesthetics 23 (46):78-95.
    Is cinematicity a virtue in film? Is lack of cinematicity a defect? Berys Gaut thinks so. He claims that cinematicity is a pro tanto virtue in film. I disagree. I argue that the term “cinematic” principally refers to some cluster of characteristics found in films featuring the following: expansive scenery, extreme depth of field, high camera positioning, and elaborate tracking shots. We often use the word as a term of praise. And we are likely right to do so. (...)
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  4. Introducing THE PHILOSOPHY OF CREATIVITY.Elliot Samuel Paul & Scott Barry Kaufman - 2014 - In Elliot Samuel Paul & Scott Barry Kaufman (eds.), The Philosophy of Creativity. New York: Oxford University Press. pp. 3-14.
    Creativity pervades human life. It is the mark of individuality, the vehicle of self-expression, and the engine of progress in every human endeavor. It also raises a wealth of neglected and yet evocative philosophical questions: What is the role of consciousness in the creative process? How does the audience for a work for art influence its creation? How can creativity emerge through childhood pretending? Do great works of literature give us insight into human nature? Can a computer program really be (...)
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  5. Ethics and Practical Reason. [REVIEW]James Mahon - 1999 - Philosophical Studies 7:119-120.
    In this review of essays on the topic of practical reason, the neo-Humeanism of philosophers such as James Drier, according to whom reasons are instrumental, is shown to be susceptible to the objections of Kantian philosophers such as Christine Korsgaard: the fact that you desire to X can never entail that you ought to X. Kantianism, however, comes under attack from neo-Aristotelian philosophers such as Berys Gaut, who argues that it is a mistake to identify goodness with being (...)
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  6. Partial Evidence: An enquiry concerning a possible affinity between literary moral cognitivism and moral pluralism.Peter Shum - 2017 - Interdisciplinary Literary Studies 19 (3):372-395.
    This paper begins by affirming the view that if there is a debate to be had over whether literature can convey moral knowledge, then efforts by proponents to substantiate this claim will already be necessarily conditioned by an understanding of what morality consists in, independently of literature. This observation brings to light a certain danger for the debate, namely that if participants fail to explicitly specify the ethical theory that they rely on, then the debate can seem nebulous. This raises (...)
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  7. The multidimensional spectrum of imagination: Images, Dreams, Hallucinations, and Active, Imaginative Perception.Nigel J. T. Thomas - 2014 - Humanities 3 (2):132-184.
    A theory of the structure and cognitive function of the human imagination that attempts to do justice to traditional intuitions about its psychological centrality is developed, largely through a detailed critique of the theory propounded by Colin McGinn. Like McGinn, I eschew the highly deflationary views of imagination, common amongst analytical philosophers, that treat it either as a conceptually incoherent notion, or as psychologically trivial. However, McGinn fails to develop his alternative account satisfactorily because (following Reid, Wittgenstein and Sartre) he (...)
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  8. Narrative and Conservation: A Response.Nigel Walter & Peter Lamarque - 2020 - Estetika: The European Journal of Aesthetics 1:104-115.
    This paper responds to Saul Fisher’s critical note (in the current volume) on Peter Lamarque and Nigel Walter’s ‘The Application of Narrative to the Conservation of Historic Buildings’ (Estetika 1/2019). Walter restates the argument, underlining the context of ‘living' buildings whose identities are still in formation. He then responds to points raised by Fisher, commenting on persistence and identity, Noël Carroll’s views on narrative connection, the usefulness of Carroll's engagement with spatial relations, and addressing some of Fisher’s specific challenges. (...)
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  9. Imagination.Nigel J. T. Thomas - 1999 - Dictionary of Philosophy of Mind.
    A brief historical and conceptual account of the concept of imagination.
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  10. The application of narrative to the conservation of historic buildings.Peter Lamarque & Nigel Walter - 2019 - Estetika: The European Journal of Aesthetics (1):5–27.
    The paper is a dialogue between a conservation architect who works on medieval churches and an analytic aesthetician interested in the principles underlying restoration and conservation. The focus of the debate is the explanatory role of narrative in understanding and justifying elective changes to historic buildings. For the architect this is a fruitful model and offers a basis for a genuinely new approach to a philosophy of conservation. The philosopher, however, has been sceptical about appeals to narrative in other contexts (...)
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  11. Narrative and Conservation: A Response.Peter Lamarque & Nigel Walter - 2020 - Estetika: The Central European Journal of Aestetics (1):104-115.
    A response to Saul Fisher’s critical note on Peter Lamarque and Nigel Walter’s ‘The Application of Narrative to the Conservation of Historic Buildings’.
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  12. The Dark Side of Human Resource Management: The Story behind the Story.Nigel Holden & Nancy K. Napier - manuscript
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  13. Are psychiatric kinds real?Helen Beebee & Nigel Sabbarton-Leary - 2010 - European Journal of Analytic Philosophy 6 (1):11-27.
    The paper considers whether psychiatric kinds can be natural kinds and concludes that they can. This depends, however, on a particular conception of ‘natural kind’. We briefly describe and reject two standard accounts – what we call the ‘stipulative account’ (according to which apparently a priori criteria, such as the possession of intrinsic essences, are laid down for natural kindhood) and the ‘Kripkean account’ (according to which the natural kinds are just those kinds that obey Kripkean semantics). We then rehearse (...)
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  14. The Application of Narrative to the Conservation of Historic Buildings.Peter Lamarque & Nigel Walter - 2020 - Estetika: The European Journal of Aesthetics 56 (1):5.
    The paper is a dialogue between a conservation architect who works on medieval churches and an analytic aesthetician interested in the principles underlying restoration and conservation. The focus of the debate is the explanatory role of narrative in understanding and justifying elective changes to historic buildings. For the architect this is a fruitful model and offers a basis for a genuinely new approach to a philosophy of conservation. The philosopher, however, has been sceptical about appeals to narrative in other contexts (...)
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  15. On the abuse of the necessary a posteriori.Helen Beebee & Nigel Sabbarton-Leary - 2010 - In Helen Beebee & Nigel Sabbarton-Leary (eds.), The Semantics and Metaphysics of Natural Kinds. New York: Routledge. pp. 159--79.
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  16. Promoting coherent minimum reporting guidelines for biological and biomedical investigations: the MIBBI project.Chris F. Taylor, Dawn Field, Susanna-Assunta Sansone, Jan Aerts, Rolf Apweiler, Michael Ashburner, Catherine A. Ball, Pierre-Alain Binz, Molly Bogue, Tim Booth, Alvis Brazma, Ryan R. Brinkman, Adam Michael Clark, Eric W. Deutsch, Oliver Fiehn, Jennifer Fostel, Peter Ghazal, Frank Gibson, Tanya Gray, Graeme Grimes, John M. Hancock, Nigel W. Hardy, Henning Hermjakob, Randall K. Julian, Matthew Kane, Carsten Kettner, Christopher Kinsinger, Eugene Kolker, Martin Kuiper, Nicolas Le Novere, Jim Leebens-Mack, Suzanna E. Lewis, Phillip Lord, Ann-Marie Mallon, Nishanth Marthandan, Hiroshi Masuya, Ruth McNally, Alexander Mehrle, Norman Morrison, Sandra Orchard, John Quackenbush, James M. Reecy, Donald G. Robertson, Philippe Rocca-Serra, Henry Rodriguez, Heiko Rosenfelder, Javier Santoyo-Lopez, Richard H. Scheuermann, Daniel Schober, Barry Smith & Jason Snape - 2008 - Nature Biotechnology 26 (8):889-896.
    Throughout the biological and biomedical sciences there is a growing need for, prescriptive ‘minimum information’ (MI) checklists specifying the key information to include when reporting experimental results are beginning to find favor with experimentalists, analysts, publishers and funders alike. Such checklists aim to ensure that methods, data, analyses and results are described to a level sufficient to support the unambiguous interpretation, sophisticated search, reanalysis and experimental corroboration and reuse of data sets, facilitating the extraction of maximum value from data sets (...)
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  17. Key ethical challenges in the European Medical Information Framework.Luciano Floridi, Christoph Luetge, Ugo Pagallo, Burkhard Schafer, Peggy Valcke, Effy Vayena, Janet Addison, Nigel Hughes, Nathan Lea, Caroline Sage, Bart Vannieuwenhuyse & Dipak Kalra - 2019 - Minds and Machines 29 (3):355-371.
    The European Medical Information Framework project, funded through the IMI programme, has designed and implemented a federated platform to connect health data from a variety of sources across Europe, to facilitate large scale clinical and life sciences research. It enables approved users to analyse securely multiple, diverse, data via a single portal, thereby mediating research opportunities across a large quantity of research data. EMIF developed a code of practice to ensure the privacy protection of data subjects, protect the interests of (...)
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  18. Socio-technical computation.Markus Luczak-Roesch, Ramine Tinati, Kieron O'Hara & Nigel Shadbolt - 2015 - In Markus Luczak-Roesch, Ramine Tinati, Kieron O'Hara & Nigel Shadbolt (eds.), Proceedings of the 18th ACM Conference Companion on Computer Supported Cooperative Work & Social Computing.
    Motivated by the significant amount of successful collaborative problem solving activity on the Web, we ask: Can the accumulated information propagation behavior on the Web be conceived as a giant machine, and reasoned about accordingly? In this paper we elaborate a thesis about the computational capability embodied in information sharing activities that happen on the Web, which we term socio-technical computation, reflecting not only explicitly conditional activities but also the organic potential residing in information on the Web.
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  19. Punishment and psychopathy: a case-control functional MRI investigation of reinforcement learning in violent antisocial personality disordered men.Sarah Gregory, R. James Blair, Dominic Ffytche, Andrew Simmons, Veena Kumari, Sheilagh Hodgins & Nigel Blackwood - 2014 - Lancet Psychiatry 2:153–160.
    Background Men with antisocial personality disorder show lifelong abnormalities in adaptive decision making guided by the weighing up of reward and punishment information. Among men with antisocial personality disorder, modifi cation of the behaviour of those with additional diagnoses of psychopathy seems particularly resistant to punishment. Methods We did a case-control functional MRI (fMRI) study in 50 men, of whom 12 were violent off enders with antisocial personality disorder and psychopathy, 20 were violent off enders with antisocial personality disorder but (...)
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  20. When resources collide: Towards a theory of coincidence in information spaces.Markus Luczak-Roesch, Ramine Tinati & Nigel Shadbolt - 2015 - In Markus Luczak-Roesch, Ramine Tinati & Nigel Shadbolt (eds.), WWW '15 Companion Proceedings of the 24th International Conference on World Wide Web. pp. 1137-1142.
    This paper is an attempt to lay out foundations for a general theory of coincidence in information spaces such as the World Wide Web, expanding on existing work on bursty structures in document streams and information cascades. We elaborate on the hypothesis that every resource that is published in an information space, enters a temporary interaction with another resource once a unique explicit or implicit reference between the two is found. This thought is motivated by Erwin Shroedingers notion of entanglement (...)
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  21. From coincidence to purposeful flow? properties of transcendental information cascades.Markus Luczak-Roesch, Ramine Tinati, Max van Kleek & Nigel Shadbolt - 2015 - In Markus Luczak-Roesch, Ramine Tinati, Max van Kleek & Nigel Shadbolt (eds.), International Conference on Advances in Social Networks Analysis and Mining (ASONAM) 2015.
    In this paper, we investigate a method for constructing cascades of information co-occurrence, which is suitable to trace emergent structures in information in scenarios where rich contextual features are unavailable. Our method relies only on the temporal order of content-sharing activities, and intrinsic properties of the shared content itself. We apply this method to analyse information dissemination patterns across the active online citizen science project Planet Hunters, a part of the Zooniverse platform. Our results lend insight into both structural and (...)
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  22. Aesthetic Supererogation.Alfred Archer & Lauren Ware - 2017 - Estetika: The European Journal of Aesthetics 54 (1):102-116.
    Many aestheticians and ethicists are interested in the similarities and connections between aesthetics and ethics (Nussbaum 1990; Foot 2002; Gaut 2007). One way in which some have suggested the two domains are different is that in ethics there exist obligations while in aesthetics there do not (Hampshire 1954). However, Marcia Muelder Eaton has argued that there is good reason to think that aesthetic obligations do exist (Eaton 2008). We will explore the nature of these obligations by asking whether acts (...)
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  23. On the Ethics of Imagination and Ethical-Aesthetic Value Interaction in Fiction.Adriana Clavel-Vazquez - forthcoming - Ergo.
    Advocates of interactionism in the ethical criticism of art argue that ethical value impacts aesthetic value. The debate is concerned with “the intrinsic question”: the question of whether ethical flaws/merits in artworks’ manifested attitudes affect their aesthetic value (Gaut 2007: 9). This paper argues that the assumption that artworks have intrinsic ethical value is problematic at least in regards to a significant subset of works: fictional artworks. I argue that, insofar as their ethical value emerges only from attitudes attributable (...)
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  24. Silly Questions and Arguments for the Implicit, Cinematic Narrator.Angela Curran - 2019 - In Noël Carroll, Laura T. Di Summa & Shawn Loht (eds.), The Palgrave Handbook of the Philosophy of Film and Motion Pictures. Springer. pp. 97-118.
    My chapter aims to advance the debate on a problem often raised by philosophers who are skeptical of implied narrators in movies. This is the concern that positing such elusive narrators gives rise to absurd imaginings (Gaut 2004: 242; Carroll 2006: 179-180). -/- Friends of the implied cinematic narrator reply that the questions critics raise about the workings of the implied cinematic narrator are "silly ones" to ask. -/- I examine how the "absurd imaginings" problem arises for all the (...)
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  25. Digital Fabrication and Its Meaning for Film.Matthew Crippen - 2019 - In Joaquim Braga (ed.), Conceiving Virtuality: From Art to Technology. Cham: Springer.
    Bazin, Cavell and other prominent theorists have asserted that movies are essentially photographic, with more recent scholars such as Carroll and Gaut protesting. Today CGI stands as a further counter, in addition to past objections such as editing, animation and blue screen. Also central in debates is whether photog- raphy is transparent, that is, whether it allows us to see things in other times and places. I maintain photography is transparent, notwithstanding objections citing dig- ital manipulation. However, taking a (...)
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  26. Digital Fabrication and Its Meanings for Photography and Film.Matthew Crippen - 2019 - In Joaquim Braga (ed.), Conceiving Virtuality: From Art to Technology. Cham: Springer. pp. 119-131.
    Bazin, Cavell and other prominent theorists have asserted that movies are essentially photographic, with more recent scholars such as Carroll and Gaut protesting. Today CGI stands as a further counter, in addition to past objections such as editing, animation and blue screen. Also central in debates is whether photography is transparent, that is, whether it allows us to see things in other times and places. I maintain photography is transparent, notwithstanding objections citing digital manipulation. However, taking a cue from (...)
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  27. Thoughts on the 'paradox' of fiction.Kathleen Stock - 2006 - Postgraduate Journal of Aesthetics 3 (2):59-65.
    This paper concerns the familiar topic of whether we can have genuinely emotional responses such as pity and fear to characters and situations we believe to be fictional1. As is well known, Kendall Walton responds in the negative (Walton (1978); (1990): 195-204 and Chapter 7; (1997)). That is, he is an ‘irrealist’ about emotional responses to fiction (the term is Gaut’s (2003): 15), arguing that such responses should be construed as quasiemotions (Walton (1990): 245), of which their possessor imagines (...)
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  28. A niggle at Nagel: causally active desires and the explanation of action.Charles Pigden - 2009 - In Constantine Sandis (ed.), New essays on the explanation of action. New York: Palgrave-Macmillan. pp. 220--40.
    This paper criticizes an influential argument from Thomas Nagel’s THE POSSIBILTIY OF ALTRUISM, an argument that plays a foundational role in the philosophies of (at least) Philippa Foot, John McDowell and Jonathan Dancy. Nagel purports to prove that a person can be can be motivated to perform X by the belief that X is likely to bring about Y, without a causally active or biffy desire for Y. If Cullity and Gaut are to be believed (ETHICS AND PRACTICAL REASONING) (...)
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  29. THE CHANGE OF SOME GRAMMATICAL CAGETORIES IN TURKISH:WORDS WITH ADVERBIAL FUNCTIONS.Emin Yas - 2021 - Andquot;, Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisi 43 (2021):163 - 178.
    It is known that Turkish, like all languages, has changed and is in a process of change. The direction of the change in question is both from verbal language to written language and from written language to verbal language. Changes are studied in linguistics by two different types of research approaches, namely diachronic and synchronic. This qualitative study using the quantitative data collection tool focused on the phenomenon of synchronic change. The aim of this descriptive study is to reveal to (...)
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  30.  77
    Criticism of individualist and collectivist methodological approaches to social emergence.S. M. Reza Amiri Tehrani - 2023 - Expositions: Interdisciplinary Studies in the Humanities 15 (3):111-139.
    ABSTRACT The individual-community relationship has always been one of the most fundamental topics of social sciences. In sociology, this is known as the micro-macro relationship while in economics it refers to the processes, through which, individual actions lead to macroeconomic phenomena. Based on philosophical discourse and systems theory, many sociologists even use the term "emergence" in their understanding of micro-macro relationship, which refers to collective phenomena that are created by the cooperation of individuals, but cannot be reduced to individual actions. (...)
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  31. Solving Wollheim's Dilemma: A Fix for the Institutional Definition of Art.Simon Fokt - 2013 - Metaphilosophy 44 (5):640-654.
    Richard Wollheim threatened George Dickie's institutional definition of art with a dilemma which entailed that the theory is either redundant or incomprehensible and useless. This article modifies the definition to avoid such criticism. First, it shows that the definition's concept of the artworld is not vague when understood as a conventional system of beliefs and practices. Then, based on Gaut's cluster theory, it provides an account of reasons artworld members have to confer the status of a candidate for appreciation. (...)
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  32. Zi̇hi̇n Felsefesi̇ni̇n Tari̇hsel Geli̇şi̇mi̇.Burak İnan - 2020 - Dissertation, Çankırı Karatekin Üniversitesi
    Zihin felsefesinin varlığı felsefenin ilk ortaya çıktığı dönemden günümüz felsefesine kadar geniş bir zaman dilimine sahiptir. Zihin felsefesi akademik bir disiplin olarak adından 17. Yüzyıldan itibaren söz ettirmiş olmasına rağmen, bu alanda ele alınan konular Antik Yunan’dan beri tartışılagelmiştir. İnsan kendisi ve çevresindeki dünyanın gerçekliğini sorgulamaya başladığında zihin, bu gerçekliğe anlam kazandırmıştır. Özne ve nesnenin birbirine zıt ve ancak bir o kadar da birbiri için oluşu zihin-beden olgusu içinde düalist ve monist anlam barındırmaktadır. Monist düşüncede kendi içinde önemli görülen, eleyici (...)
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  33. Sosyal, Beşeri ve İdari Bilimler Alanında Yeni Trendler III.Sinan Sönmez - 2022 - İzmir, Türkiye: Duvar Yayınları.
    Bilim üzerine yapılan tartışmalar her ne kadar geçmişten beri süregelmekte olsa da modern bilimin gelişimini gösteren bilimsel devrimler, bilim ve bilimsel bilginin ne olduğu tartışmalarını yoğun bir biçimde etkiler. Özellikle bilim hakkında yaygın bir biçimde ifade edilen geleneksel anlayışın temel iddialarından biri, deney bilimlerinin gelişmesine bağlı olarak deneyin de ön plana çıkması nedeniyle, bilimin temelinde saf deney ve gözlemin yer aldığıdır.
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  34. Intuitions in 21st-Century Ethics: Why Ethical Intuitionism and Reflective Equilibrium Need Each Other.Ernesto V. Garcia - 2021 - In Discipline filosofiche XXXI 2 2021 ( L’intuizione e le sue forme. Prospettive e problemi dell’intuizionismo). pp. 275-296.
    In this paper, I attempt to synthesize the two most influential contemporary ethical approaches that appeal to moral intuitions, viz., Rawlsian reflective equilibrium and Audi’s moderate intuitionism. This paper has two parts. First, building upon the work of Audi and Gaut, I provide a more detailed and nuanced account of how these two approaches are compatible. Second, I show how this novel synthesis can both (1) fully address the main objections to reflective equilibrium, viz., that it provides neither necessary (...)
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  35. Briefly, “What are concepts?” and the handmaiden of colonialism again.Terence Rajivan Edward - manuscript
    This paper makes two criticisms of the book Key Concepts in Social and Cultural Anthropology, by Nigel Rapport and Joanna Overing. The second criticism is that they do not acknowledge the Argentine author Jorge Luis Borges as the conceiver of the fictional Chinese encyclopaedia. What they say raises the worry that anthropologists have not moved on much from being the handmaiden of colonialism.
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  36. On the future of the Lorenzo Cañás Bottos family.Terence Rajivan Edward - manuscript
    This brief paper asks how Lorenzo Cañás Bottos could bring himself to write comments on Nigel Rapport, after his Key Concepts in Social and Cultural Anthropology, with Joanna Overing! The title of my paper may be a bit misleading, but I present two futures for Argentine families, which start out similar, relating their conceptions of society to British anthropology.
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  37.  52
    "Moral Certainty", One Concept, Several Perspectives; Evaluation of Two Relative and Absolute Approaches about "Moral Certainty" Based on Wittgenstein's On Certainty.Mohammad Saeed Abdollahi - 2024 - Journal of Philosophical Investigations 18 (46):13-29.
    One of the important ethical concepts that has occupied the minds of many philosophers in the past years is the concept of "moral certainty". This means whether there are moral propositions that are so certain that no doubt or argument or evidence can face them. According to some philosophers, for example, the statement "the wrongness of killing innocent people" brings us such moral certainty. Among the philosophers who have written in this field, two basic readings of Nigel Pleasants and (...)
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  38. Autonomism Reconsidered.James Harold - 2011 - British Journal of Aesthetics 51 (2):137-147.
    This paper has three aims: to define autonomism clearly and charitably, to offer a positive argument in its favour, and to defend a larger view about what is at stake in the debate between autonomism and its critics. Autonomism is here understood as the claim that a valuer does not make an error in failing to bring her moral and aesthetic judgements together, unless she herself values doing so. The paper goes on to argue that reason does not require the (...)
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